I thank the video-maker johnetty73 for the lluuvvliest version of Lara's theme uproaded above -- xie xie, thank you, TERIMA KASIH, translated as Receive My Love...-- YL, Desi, knottyaSsusual
************************************************
Uploaded by johnetty73 on Nov 26, 2011
The History of Revolution in Russia:
Doctor Zhivago (Russian: До́ктор Жива́го) is a 1965 epic drama-romance-war film directed by David Lean and loosely based on the famous novel of the same name by Boris Pasternak. It has remained popular for decades, and as of 2010 is the eighth highest grossing film of all time in the United States, adjusted for inflation..
Somewhere My Love ~ (Lara's Theme) became an instant success and gained fame throughout the world. By special request of Connie Francis, Paul Francis Webster later took the theme and added lyrics to it to create "Somewhere My Love". Francis, however, retired from the project when the lyrics were presented to her because she thought of them as too "corny". A few weeks later, Francis reconsidered her position and recorded the song nonetheless, but by then Ray Conniff had also recorded a version of his own, reaching on the Billboard Hot 100 chart in 1966. Conniff's version of the song also topped the "Easy listening" chart in the U.S. for four weeks. Despite Conniff's success, Francis also had her version released as a single, and although it failed to chart in the US, it became one of her biggest successes internationally, becoming one of the "Top 5" in territories such as Scandinavia and Asia. In Italy, her Italian version of the song, "Dove non so", became her last success.
****************************************
Doctor Zhivago
 | This article may contain original research. Please improve it by verifying the claims made and adding references. Statements consisting only of original research may be removed. More details may be available on the talk page. (August 2009) |
| Doctor Zhivago | |
|---|---|
 First edition cover | |
| Author(s) | Boris Pasternak |
| Original title | Доктор Живаго (in Russian)' |
| Country | Italy |
| Language | Russian |
| Genre(s) | Historical, Romantic novel |
| Publisher | Feltrinelli (first edition), Pantheon Books |
| Publication date | 1957 |
| Media type | Print (Hardback & Paperback) |
| Pages | 592 (Pantheon) |
| ISBN | NA (Feltrinelli) & ISBN 0-679-77438-6 (Pantheon) |
Doctor Zhivago (Russian: До́ктор Жива́го, Doktor Zhivago Russian pronunciation: [ˈdoktər ʐɪˈvaɡə]) is a 20th century novel by Boris Pasternak, first published in 1957. The novel is named after its protagonist, Yuri Zhivago, a physician and poet. It tells the story of Zhivago's life and how it is affected by the Russian Revolution of 1917 and the subsequent Russian Civil War.
The book was made into a film by David Lean in 1965, and since then has twice been adapted for television, most recently as a miniseries for Russian TV in 2006.[1]
Contents[hide] |
[edit] Background
Although it contains passages written in the 1910s and 1920s, Doctor Zhivago was not completed until 1956. The novel was submitted to the literary journal Novy Mir ("Новый Мир"). However, the editors rejected Pasternak's novel because of its implicit rejection of socialist realism.[2] The author, like Zhivago, showed more concern for the welfare of individuals than for the welfare of society. Soviet censors construed some passages as anti-communist. They were also enraged by Pasternak's subtle criticisms of Stalinism and his references to the GULAG.
In 1957, multi-billionaire Italian publisher Giangiacomo Feltrinelli arranged for the novel to be smuggled out of the Soviet Union by Isaiah Berlin. Upon handing his manuscript over, Pasternak quipped, "You are hereby invited to watch me face the firing squad."
Despite desperate efforts by the Union of Soviet Writers to prevent its publication, Feltrinelli simultaneously published editions in both Russian and an Italian translation. So great was the demand for Doctor Zhivago that Feltrinelli was able to license translation right into eighteen different languages well in advance of the novel's publication. The Communist Party of Italy expelled Feltrinelli from their membership in retaliation for his role in the publication of a novel they felt was critical of communism.
Meanwhile, as the novel topped international bestseller lists, the British MI6 and the American CIA commenced an operation to ensure that Doctor Zhivago was correctly submitted to the Nobel Committee. This was done because it was known that a Nobel Prize for Boris Pasternak would seriously harm the international credibility of the Soviet Union. As a result, British and American operatives intercepted and photographed a manuscript of the novel and secretly printed a small number of books in the Russian language. These were submitted to the Nobel Committee's surprised judges just ahead of the deadline.[3][4]
Meanwhile, Pasternak wrote to Renate Schweitzer,
"Some people believe the Nobel Prize may be awarded to me this year. I am firmly convinced that I shall be passed over and that it will go to Alberto Moravia. You cannot imagine all the difficulties, torments, and anxieties which arise to confront me at the mere prospect, however unlikely, of such a possibility... One step out of place -- and the people closest to you will be condemned to suffer from all the jealousy, resentment, wounded pride and disappointment of others, and old scars on the heart will be reopened..."[5]
On 23 October 1958, Boris Pasternak was announced as the winner of the 1958 Nobel Prize for Literature. The citation credited Pasternak's contribution to Russian lyric poetry and for his role in, "continuing the great Russian epic tradition." On 25 October, Pasternak sent a telegram to the Swedish Academy:
"Infinitely grateful, touched, proud, surprised, overwhelmed."[6]
On October 26, the Literary Gazette ran an article by David Zaslavski entitled, Reactionary Propaganda Uproar over a Literary Weed.[7]
Acting on direct orders from the Politburo, the KGB surrounded Pasternak's dacha in Peredelkino. Pasternak was not only threatened with arrest, but the KGB also vowed to send his mistress Olga Ivinskaya back to the GULAG, where she had been imprisoned under Stalin. It was further hinted that, if Pasternak traveled to Stockholm to collect his Nobel Medal, he would be refused re-entry to the Soviet Union.
As a result, Pasternak sent a second telegram to the Nobel Committee:
"In view of the meaning given the award by the society in which I live, I must renounce this undeserved distinction which has been conferred on me. Please do not take my voluntary renunciation amiss."[8]
The Swedish Academy announced:
This refusal, of course, in no way alters the validity of the award. There remains only for the Academy, however, to announce with regret that the presentation of the Prize cannot take place.[9]
Despite his decision to decline the award, the Soviet Union of Writers continued to denounce Pasternak in the Soviet press. Furthermore, he was threatened at the very least with formal exile to the West. In response, Pasternak wrote directly to Soviet Premier Nikita Khrushchev, "Leaving the motherland will equal death for me. I am tied to Russia by birth, by life and work."[10][11]
As a result of this and the intercession of Indian Prime Minister Jawaharlal Nehru, Pasternak was not expelled from his homeland.
Ultimately, Bill Mauldin produced a political cartoon lampooning the Soviet State's campaign against Boris Pasternak. The cartoon depicts Pasternak and another convict splitting trees in the snow. In the caption, Pasternak says, "I won the Nobel Prize for literature. What was your crime?" The cartoon won the Pulitzer Prize for Editorial Cartooning in 1959.[12]
Pasternak died of lung cancer in his dacha in Peredelkino on the evening of 30 May 1960. He first summoned his sons, and in their presence said, "Who will suffer most because of my death? Who will suffer most? Only Oliusha will, and I haven't had time to do anything for her. The worst thing is that she will suffer."[13] Pasternak's last words were, "I can't hear very well. And there's a mist in front of my eyes. But it will go away, won't it? Don't forget to open the window tomorrow."[13]
Shortly before his death, a priest of the Russian Orthodox Church had given Pasternak the last rites. Later, in the strictest secrecy, an Orthodox funeral liturgy, or Panikhida, was offered in the family's dacha.
Despite only a small notice appearing in the Literary Gazette,[13] handwritten notices carrying the date and time of the funeral were posted throughout the Moscow subway system.[13] As a result, thousands of admirers traveled from Moscow to Pasternak's civil funeral in Peredelkino. According to Jon Stallworthy, "Volunteers carried his open coffin to his burial place and those who were present (including the poet Andrey Voznesensky) recited from memory the banned poem 'Hamlet'."[11]
One of the dissident speakers at the graveside service said, "God marks the path of the elect with thorns, and Pasternak was picked out and marked by God. He believed in eternity and he will belong to it... We excommunicated Tolstoy, we disowned Dostoyevsky, and now we disown Pasternak. Everything that brings us glory we try to banish to the West... But we cannot allow this. We love Pasternak and we revere him as a poet... Glory to Pasternak!"[14]
Until the 1980s, Pasternak's poetry was only published in heavily censored form. Furthermore, his reputation continued to be pilloried in State propaganda until Mikhail Gorbachev proclaimed Perestroika.
In 1988, after decades of circulating in samizdat, Doctor Zhivago was finally serialized in the pages of Novy Mir, which had changed to a more anti-communist position than in Pasternak's lifetime. The following year, Yevgeny Borisovich Pasternak was at last permitted to travel to Stockholm to collect his father's Nobel Medal. At the ceremony, cellist Mstislav Rostropovich performed a Bach composition in honor of his fellow Soviet dissident.
[edit] Plot summary
Yuri Zhivago is sensitive and poetic nearly to the point of mysticism. Zhivago's idealism and principles stand in contrast to the brutality and horror of World War I, the Russian Revolution, and the subsequent Russian Civil War. A major theme of the novel is how mysticism and idealism are destroyed by both the Bolsheviks and the White Army alike, as both sides commit horrible atrocities.
Other major characters include Tonya Gromeko, Yuri Zhivago's wife, and her parents Alexander and Anna, with whom Zhivago lived after he lost his parents as a child. Later, he marries Tonya, and they have son Alexander together. Yevgraf Andreievich Zhivago, Yuri's half-brother (the illegitimate son of his father), is an Old Bolshevik who gains a General's post in the Soviet secret police. In this capacity, Yevgraf helps his brother evade arrest throughout the course of the novel.
Zhivago's great love is Lara, whose full name is Larissa Feodorovna Guishar. Born the daughter of a Belgian factory owner, Lara's family, like Zhivago's, has fallen upon hard times. She ultimately becomes engaged to Pavel "Pasha" Antipov, an idealistic student who sympathises with Lenin's Bolsheviks. Lara simultaneously has a discreet affair with her mother's lover, Viktor Komarovsky. A deeply corrupt lawyer, Komarovsky's connections extend to senior figures in both the Tsarist State and its revolutionary opponents. Despite her intense resentment of Komarovsky, Lara becomes very adept at using her sensuality to manipulate her besotted lover. Suspecting the worst, Lara's mother, Amalia Guishar, attempts suicide. Zhivago, along with his fellow medical student Misha Gordon, visit with a doctor and successfully save Amalia's life.
Obsessed with freeing herself from Komarovsky, Lara spends three years working as a governess for the children of Lavrenti Kologrivov, a wealthy industrialist with Marxist sympathies. Then, Lara's brother Rodion Guishar begs her to ask Komarovsky to lend him 700 rubles which he has stolen and gambled away. Infuriated, Lara instead obtains the money from Kologrivov and severs ties to her brother. However, when the children graduate, Lara resents that the Kologrivovs allow her to stay on out of charity. Blaming Komarovsky, whom she believes has ruined her life, she attends a party and shoots at him with a revolver. However, Lara insteads wounds a senior Tsarist prosecutor. Komarovsky secretly uses his political connections to shield her from prosecution.[15]
Ultimately, Pasha Antipov is declared missing in action during World War I, but is captured by the Austro-Hungarian Army. After escaping from a POW camp, Antipov joins the new Red Army. He becomes notorious as General Strelnikov ("The Hangman"), a fearsome commander who summarily executes both captured Whites and many civilians. Meanwhile, Lara becomes a battlefield nurse in order to search for her husband.
Following the February Revolution, Lara and Yuri serve together in a makeshift field hospital and fall in love. Neither, however, is willing to admit their feelings for the other. As he prepares to return to his wife and children in Moscow, Yuri expresses dismay to Lara that, "the roof has been ripped off," the nation he loves.
Following the October Revolution and the subsequent Russian Civil War, Yuri and his family flee by train to their estate at Varykino, in the Ural Mountains. During the journey, he meets with General Strelnikov, who informs him that Lara has returned to their daughter in the village of Yuriatin. Soon after, Lara and Yuri meet and consummate their relationship.
While returning from an encounter with Lara, Yuri is abducted by Liberius, commander of the "Forest Brotherhood", the Bolshevik guerilla band. Liberius is a dedicated Old Bolshevik and highly effective leader of his men. However, Liberius is also a cocaine addict, loud-mouthed and Narcissistic. He repeatedly bores Yuri with his longwinded lectures about the glories of socialism and the inevitability of its victory.
After Yuri deserts and returns to Lara, Komarovsky reappears. Having used his influence within the CPSU, Komarovsky has been appointed Minister of Justice of the Far Eastern Republic, a Soviet puppet state in Siberia. He offers to smuggle Yuri and Lara outside Soviet soil. They initially refuse, but Komarovsky states that Pasha Antipov is dead, having fallen from favor with the Party. Stating that this will place Lara in the CHEKA's crosshairs, he persuades Yuri that it is in her best interests to leave for the West. Yuri convinces Lara to go with Komarovsky, telling her that he will follow her shortly.
Meanwhile, the hunted General Strelnikov returns for Lara. Lara, however, has already left with Komarovsky. After having a lengthy conversation with Yuri, Antipov commits suicide. Yuri finds his body the following morning.
After returning to Moscow, Zhivago's health declines; he cohabitates with another woman and fathers two children with her. He also plans numerous writing projects which he never finishes. Meanwhile, Lara returns to Russia for Yuri Zhivago's funeral. She persuades General Yevgraf Zhivago to assist her search for her daughter by Yuri. Ultimately, however, Lara is arrested during Joseph Stalin's Great Purge and dies in the GULAG.
During World War II, Zhivago's old friends Nika Dudorov and Misha Gordon meet up. One of their discussions revolves around a local laundress named Tanya, a bezprizornaya or Civil War orphan, and her resemblance to both Yuri and Lara. Much later, they meet over the first edition of Yuri Zhivago's poems.
[edit] Themes
[edit] Loneliness
In the shadow of all this grand political change we see that everything is governed by the basic human longing for companionship. Zhivago and Pasha, in love with the same woman, both traverse Russia in these volatile times in search of such stability. They are both involved on nearly every level of the tumultuous times that Russia faced in the first half of the 20th century, yet the common theme and the motivating force behind all their movement is a want of a steady home life. When we first meet Zhivago he is being torn away from everything he knows. He is sobbing and standing on the grave of his mother. We bear witness to the moment all stability is destroyed in his life and the rest of the novel is his attempts to recreate the security stolen from him at such a young age. After the loss of his mother, Zhivago develops a longing for what Freud called the "maternal object," (feminine love and affection) in his later romantic relationships with women.[16] His first marriage, to Tonia, is not one born of passion but from friendship. In a way, Tonia takes on the role of the mother-figure that Zhivago always sought but lacked. This, however, was not a romantic tie; and while he feels loyal to her throughout his life, he never could find true happiness with her, for their relationship lacks the fervor that was integral to his relationship to Lara.[17]
[edit] Individuality
The Russian Revolution was at its core an ideological struggle, forcing young and old alike to align themselves or risk extermination. Its uncompromising nature put great strain on the ideals of individual thought and choice, represented in Yuri Zhivago's constant attempts to come to terms with the Revolution. Yuri is the ultimate individual, expressing himself through poetry and recognizing beauty in all aspects of life. He is frequently overcome by emotion, and is deeply introspective. His affair with Lara was primarily fueled by passion and romanticism. However, he gradually realizes that his commitment to his own unique philosophy is rapidly becoming untenable in the face of a crystallizing Soviet ideology. His attempts to exert control over his own individual self end in futility: in one pivotal scene, he wounds and possibly kills several White soldiers despite his best efforts to avoid doing so. The taking of lives is a betrayal of his personal core beliefs, and Yuri is horrified and demoralized by the incident. Ultimately, the revolution's refusal to acknowledge the fundamental nature of the individual ensured that regardless of which faction Yuri sided with, he would not be able to survive in the new Soviet era as a true individual.
[edit] Corrupted and Misdirected Revolution
When he was younger, Zhivago enjoyed having political discussions with educated people, like his uncle Nicholai. Zhivago's views were relatively neutral—though not a revolutionary zealot, he recognized that Russia needed serious reform. As the story progresses, however, Zhivago realizes that many political activists simply parrot the ideas they have heard, reciting their memorized lines in order to seem intellectual. Still others actively seek power for themselves, taking advantage of the people's thirst for betterment by promising more than they intended to deliver. Pasternak shows what he thought went wrong in the revolution: that initially, revolutionary leaders had good ideas, but because of human failings these ideas were warped or even forgotten as the revolution progressed. Pasternak's strategy to convey this point is to introduce seemingly obvious villains into the plot, but show that in the context of the entire novel, the results of their bad behavior pale in comparison to the harm caused by the corrupted revolutionary effort. Komarovsky and Strelnikov are both antagonists in the sense that they cause harm to other characters in the book, but Pasternak cleverly uses them to show that their damage was temporary and relatively minor, whereas the trauma and suffering caused by the misled train wreck of the revolution was more permanent, often fatal, and certainly more devastating to Russian society
No comments:
Post a Comment